The marquis de sade joe damato

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Eugenie, based on the work of The Marquis De Sade, follows the titular The marquis de sade joe damato down a sinful road with her perverted stepfather. What follows is a lesson in where overconfidence gets you, readers, so if The marquis de sade joe damato have in mind dragging one of your children into the sex-murder trade They enact their plans almost in real time, arriving finally at the kill in moments colored by unnerving, controlled mania.

Aside from a tiny bit of grain here and there, the picture is clean and sharp and the colors really pop. English and French Mono Audio tracks that have been mastered in Dolby Digital deliver clear dialogue and either dreamy or creepily atonal jazzy numbers from the score.

Franco - a man for whom camera movement is The marquis de sade joe damato to panning and zooming - often disregards niceties such as pulling focus. These weaknesses have clouded his career, and his contrary concentration on sex and death has distanced him from most other discriminating filmgoers.

Plot-holes and low-cost production values will confound many, but those who savor genre movies of this ilk should overlook such problems to find a unique and artful take on the gutter from a source often disparaged. Blue Underground presents a nicely mastered transfer of Eugenie De Sade fresh from the recently discovered original negative in widescreen 1.

Clumsy or plodding moments seem to magically transform into graceful contemplation of the doomed, dark side of ego and desire.

Oh no, he says, he loved her like his daughter. History will likely never be too kind to Jesus Franco, though Eurotrash aficionados will always have a place in their hearts for him. Languid scenarios of decadence and barrel-bottom depravity, mixed with a perfectly evocative score and by and large spot-on performances make Eugenie De Sade an exemplar Eurotrash cinema and a redemptive calling card for Franco.

The Original Theatrical Trailer packs in multitudes of details from The marquis de sade joe damato movie as seemingly the only way to get the punters into the seats. The only other extra is a contemporary minute Jess Franco Interview wherein he talks of his introduction to the writings of De Sade, goes on ambivalently for a bit about the perverse love between Eugenie and her stepfather, talks at length about working with Soledad Miranda, and finally refutes the notion that he and Miranda were lovers.